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  • Laying In The Grass Is A Gas, Baby, Can You Dig It

    The world was overwhelming, and the night air was beautiful. I lay in the grass to sooth my soul. This self-portrait is double exposed with a large grid of images, a screen shot of my camera roll, though those images fade into the figure here. There is, and quite apparently so, an otherworldly glow to my glasses, and I wear the apron I  cook in every night.

    792,792
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  • Beckmann/Ballerina
    864,864
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  • After Leonardo
    650,650
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  • Layin' In The Grass Is A Gas, Baby, Can You Dig It III
    792,783
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  • After DuBuffet

    This image uses two grids, one in 9 parts, one in 16. The second grid is one of branches in snow taken with a macro lens. One can see the circles of the lens that have remained, and the branches within them, like the ghost images in a monotype. The composition and palette brought to mind Dubuffet's self-portrait paintings, hence, the title.

    792,792
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  • Hand on Heart

    This image truly seems to blur the line between painting and photography (although there are no lines here, only areas of color). The second, superimposed image has faded from sight in this piece; only its impact on the self-portrait remains. The high- key/synthetic details of my signifiers, glasses and mouth, are here, along with large, seemingly painted areas of color, very close in value.

    792,792
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  • City in a Can
    864,864
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  • Space Cadet
    720,720
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Through the Looking Glasses 21C, Durham
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Through the Looking Glasses 21C, Durham
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